The project began with a shift in scale and context. A watch, designed for the wrist, was placed within a constructed environment where colour, material and structure could interact. The question was no longer how to represent the object, but how to position it within a field of tensions.
The series was built through precise compositions where colour planes, reflective metals and textured surfaces define the space around the object. Strong chromatic contrasts meet polished steel, while geometric elements create a controlled visual framework. The watch is staged within these conditions, its presence shaped by the relationships it establishes with its surroundings.
Part of the series was produced inside the Buchli House in Münsingen, designed by Fritz Haller. Its architecture, based on structure, transparency and rhythm, extends the logic of the images. Within this environment, object, furniture and architecture enter into continuity, forming a shared language where scale, material and colour remain in constant dialogue.