The project began as a study of orange, approached as a range rather than a fixed hue. Starting from a fragrance built on the tension between citrus brightness and mineral depth, the work translates this balance into image, focusing on presence rather than description.
The film observes how light moves through liquid and glass. Variations in density, refraction and exposure shift the reading of the color, from amber to copper to deeper tones. The bottle becomes a medium through which gradients and internal reflections emerge, revealing subtle changes in depth and intensity.
Through controlled variations in light and angle, surfaces soften and edges dissolve, allowing color to gain weight and tactility. What appears is not a surface effect, but a material condition, where color holds, absorbs and unfolds over time.