Light can behave both as a medium and as a structure. In this project developed with light and media artist James Clar, the question was how colour, geometry and illumination could generate a perceptual space rather than a fixed image. The triangular form becomes a simple framework through which light unfolds, producing a field of shifting chromatic gradients.
The work is constructed from LED light sources combined with optical filters and custom connectors that define the geometry of the installation. The three illuminated segments operate simultaneously as structure and image. Their orientation in space creates a subtle transformation of colour, moving across the spectrum as the eye travels along the edges of the form. The result is not a static object but a luminous surface that appears to modulate continuously.
For the bureau, the project offered an opportunity to explore light as a material in its own right. The installation reveals how minimal structures can generate complex visual effects, where perception becomes part of the work itself. It remains a precise study of how colour, technology and spatial perception can converge into a single visual gesture.